Ok, so remember that kool-aid I talked about drinking a couple of days ago?
On a (dangerous to my wallet) whim I shelled out for the new Lensbaby Sweet 35 Optic. It fits into my Lensbaby Composer, and has the same selective focus as my regular Lensbaby optic, but it's wider - 35mm instead of 50mm - and it has adjustable aperture built in. For any Lensbaby aficionado this is BIG NEWS because the other optics: double glass, single glass, plastic, fisheye, etc., all had aperture rings you had to insert manually with a little magnetic thingy.
Kind of cool, yes. Certainly made you think about changing your aperture. A bit of a pain? Also yes. You had to really want to change your aperture. Also, I mislaid mine last week, so I can only shoot at f/2.8 now. Forever.
With the Sweet 35 I can change it on a whim. The camera still doesn't electronically register my aperture because I change it on a click wheel on the lens, but metering works just fine. However, that means I don't remember what aperture any of these images are. Oops! Sorry.
One of the first places I took it was the California Academy of Sciences. I liked this shot of the dinosaur in the entryway.
You'll notice that the glass is sharp where it needs to be, but it's also really contrasty. This makes images have a certain pop, but it also creates more blown highlights and blocked shadows than I would expect with another lens.
The oval bokeh is fun to play with. And like any Lensbaby optic, you can move the spot of focus to fine tune your composition.
I also happen to think it's a great lens for pets. The wide angle gives a bit of distortion close in, and the selective focus is really fun.
A shot from a Passover Seder I went to this past weekend. I really enjoy the simplification that the spot of focus gives a crowded composition.
And a shot from an Easter celebration! Also a fun lens for flowers. Can't wait till Lensbaby makes a macro lens for this one.
And, because it's that time of year, and I can't resist, a couple blossom shots. As I mentioned before, it's fun to move the focus point around and really get your composition exactly the way you want it. With the 50mm double glass optic, it seems much sharper in the center than at the edges, but I didn't feel that way with the Sweet 35. It seems equally sharp just about anywhere.
So, a fun new toy to play with. And the secret behind yesterday's post! Definitely a specialty item, and not one I'd recommend to everyone. But I'm enjoying it.
*As I've said before, Lensbaby has no idea who I am, and I buy all their stuff with my own hard earned money. But if they wanted to sponsor me, I'd be all over it! Lensbaby? Call me.*
Lensbaby Sweet 35 Optic
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Mouseover Monday!
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Ok, ten points for the person who can tell me what special piece of equipment I used to take this photo.
The answer to be revealed tomorrow!
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Wrought Iron
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Fishing
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50mm, f/1.4 ISO 100, 1/8000s |
Wide open. Oh, how do I love thee. This is my pretty 50mm lens, all the way wide open at f/1.4.
Oops, just checked the metadata. Turns out I was at 1.6. Probably because I was at my fastest shutter speed , 1/8000s, and couldn't open up any more without overexposing. Still, pretty lovely. Has its disadvantages, though. See that white blob to the right of the fishing pole? It's a bit hard to make out. That blob was a sailboat once upon a time. And then I made it almost disappear with my magical aperture.
Anyway, what about you? Do you shoot wide open? Do you care? What are your thoughts on that?
Personally I've come to believe that absolute measurable sharpness isn't that important. What's more important (for me) is relative sharpness in a picture. So, is my subject sharper than the background? Yes? Good. No? Not so good. Could the whole picture be sharper at f/8? Oh, definitely. But then I'd lose my relative sharpness, because my subject and the background would both be in focus.
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Artwork
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Wendy
When I got to Florida last month, I really wasn't sure exactly what to expect. I knew Phoebe was going to be awesome, but otherwise I was a little unsure. Call it jitters, I guess. I'd never shot any real video before; I'd never spent so much time with a client before, and I'd certainly never done it all in two weeks a few thousand miles from my home.
It was insanely lucky, then, that Wendy was so incredible. Not only is she an amazing musician, she's also a fabulous hostess, a super bike rider, excellent at swimming with a drink in her hand (not easy, folks!), and a superb cook. One day maybe I'll share her garlic salad dressing recipe with you all. It's to die for.
Anyway, Wendy Webb is awesome. You should go check out her website here, and a YouTube video of her song Only For Love, if you want to hear what she sounds like. She's got great pipes!
Here are a couple of shots from the trip.
http://www.wendywebbmusic.com/Site/Home.html
It was insanely lucky, then, that Wendy was so incredible. Not only is she an amazing musician, she's also a fabulous hostess, a super bike rider, excellent at swimming with a drink in her hand (not easy, folks!), and a superb cook. One day maybe I'll share her garlic salad dressing recipe with you all. It's to die for.
Anyway, Wendy Webb is awesome. You should go check out her website here, and a YouTube video of her song Only For Love, if you want to hear what she sounds like. She's got great pipes!
Here are a couple of shots from the trip.
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Lensbaby at f/5.6, I think. Hard to remember. ISO 500, 1/50s. |
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85mm, f/1.2, ISO 800, 1/100s (I was borrowing the lens. GREAT glass.) |
http://www.wendywebbmusic.com/Site/Home.html
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